Only We Can …

I notice that a number of people play this game in their workshops but here is my version. It can be used in a number of different ways and can also be used solo or in groups.

If you are having issues with a current product or service then you might try to produce statements such as:

• Only we can deliver product xx within 24 hours
• Only we can produce xx at a cost of less than £5
• Only we have the technology ….

This should not be too difficult, especially if you are already having some success but if you cannot find statements of the above type that describe why your products and/or services are unique then you are probably flogging a dead horse and should consider cutting your losses.

It is then time to use this technique in a different way. You might have already created some new ideas which are still in your head or are just scribbles on a piece of paper. Try the same exercise but using knowledge of your capabilities and resources create statements of the form ‘Only we could …’. This might require some knowledge of your competitors as well so some digging will be required. Once again, if your product or service ideas fail this simple test then perhaps they are not worth pursuing.

All is not lost though. One final exercise is ‘If only …. then we could …’ so you might generate statements of the form:

• If only we had a new machine we could produce xx at a cost of less than £5
• If only we had a new van then we could deliver within 24 hours

So you can work out your unique advantage assuming that you can meet the conditions of your ‘If only …’ statement. This is a little easier and can usually be carried out with the aid of a calculator. If you are a larger business then you might wish to involve employees from all areas and at all levels in this exercise. Be realistic though, ‘If only we had infinite resources, we could do anything’ is not an option if you are trying to make a decision although it might be good for generating some wacky ideas.

Creativity Cannot Be Managed - What Rubbish!

I was recently taking part in an online discussion about Creativity and Innovation when one of the contributors posted something that just stopped me in my tracks. There were a few words about how Creativity and Innovation are not the same (about the only thing we did agree upon) and some very logical and left brained words about how Innovation can be managed and then the line "Creativity cannot be managed".

How come you cannot manage Creativity, but you can manage Innovation (which contains Creativity)? The rest of the article led me to believe that the author did not have a realistic grasp of the situation. As the person was obviously keen on following manuals to the letter, I had to agree that there is no manual for Creativity (one of my slogans as it happens), but we know enough to be able to manage creative and idea generating processes very successfully indeed.

There is much documentation on creative techniques for solving problems, generating ideas and making decisions. We know which ones work best for different types of working, and there are many guiding principles to help us set up our environment and ensure that creativity is nurtured. We know the best ways to capture ideas and share them, we can calibrate idea generation pipelines and we know the ideal characteristics for creative team members, creative teams and of those who try to manage them.

Better still we know how creativity fits into the process of Innovation as a whole, so how can anyone claim that Creativity cannot be managed? The answer lies in perspective. Many consultants and advisers think that Innovation is something that you do to a system i.e. you apply it by turning a handle and following the book rather than a framework and a set of behaviours that help you to innovate. Thus they get stuck when it comes to Creativity, you cannot just do it, there is no step by step guide to the whole process yet the principles I mentioned previously can be applied (within your individual context) to create a measurable and hence manageable system.

The Magic Of Metaphor

First of all what is a metaphor? Here I use the term metaphor and simile interchangeably but technically a simile is simply saying that one thing is like something else and a metaphor is saying that one thing is something else. A simile is thus a metaphor but a metaphor is not necessarily a simile. Enough of the terminology! Roll your mouse over the picture to the right to find a metaphor.

Sometimes exaggeration or humour might be involved to help make the point. Many men might use the metaphor of their mother-in-law being a dragon. They are not saying that she literally breathes fire and flies but that she might be a little fierce and protective of her daughter (or dominating her husband!!). You get the point.

Metaphor can help us all in a number of ways. For instance I am a very visual person so when people insist on describing things to me using just words I have to try very hard to take in all of the information. If, however, someone says that the situation is like say, finding a needle in a haystack then I comprehend the situation quite quickly i.e. I know the amount of effort required and the likely outcome. To reach a wider audience you might need to try using metaphors that rely on different language for those people who respond to audio or kinesthetic stimuli.

I often use a particular type of metaphor when explaining the usefulness of using creative or alternative techniques to examine a problem situation. I'm sure that many readers will have experienced the horrors of hunting for a house or flat. You have a look at the particulars and one person focuses on the kitchen, another on the garden and another on the bedrooms or garage. All of these individuals are seeing the same situation but from different viewpoints. So just like viewing a property we can examine other scenarios (physical or otherwise) from different perspectives. One or more of these might even provide a solution (in the case of a problem) or suggest a course of action.

Keen followers of Agatha Christie's fictional character Miss Marple will be familiar with her technique of mapping happenings of the wider world with things she could understand that occurred in her own village of St Mary Mead. So already we have a list of things that metaphors can help us with:

• Giving explanations to those unfamiliar with a concept
• Examining problem situations from an alternative perspective
• Reframing situations
• Communicating concepts to a wider audience
• Learning or making sense of a concept that we are not currently familiar with

Another interesting use for metaphor is within stories and for use as a more sophisticated business tool but that is an article all of its own. But how about the application of metaphor, will it work for everyone and will it work everywhere?

We can use metaphor directly in:

• Business
• Politics
• Creative Industries and the media
• Any other areas that rely on human interaction

Metaphor works best when individuals can 'connect' easily with metaphors i.e. they are used to metaphor or storytelling and their lives are not littered with distractions. In developed countries we are buried underneath mountains of gadgets which we either rely on to automate our lives or which we take great delight in exploring in detail - we either want it to work or we want to read the instructions in detail. We do not wish to know that our new MP3 player is like a pepperoni pizza (or perhaps a more appropriate metaphor). I am speaking generally here, those who are emotionally intelligent will be using metaphor regularly.

In developing countries there is less technology and less complexity in life generally (but life is often very hard) and so people are often closer to their emotions. Storytelling and metaphors will work well here and have a very powerful effect. Rather like the argument that I put forward in a previous article regarding creativity in developed and developing countries, education also plays a part. So once again, who is best placed to take advantage of techniques such as this? Developed countries have a head start in the race to develop and are thus nearer the finishing line, but developing countries have the potential to be the faster runners!!!

The Morphological matrix

This is a form of random stimulation that can be used solo or in groups. It is ideal for generating ideas when you have an idea about WHAT you wish to do but not HOW you might go about doing it.

If you were a TV producer you might ask the question "How might we go about creating a new soap opera?" To use this technique in such a case first create a table with ten rows labelled 0 - 9 and 4 columns initially numbered 1 to 4.

Next perform the following steps:

• Label each column with a different parameter or characteristic of the problem or task e.g. for our example column 1 could be target audience, column 2 - setting, column 3 - theme, column 4 - suggested title.
• For column 1 generate varied and/or unusual ideas and fill the column (you now have ten wacky suggestions for target audience).
• Repeat for column 2, column 3 and column 4. Try not to refer to adjacent columns when filling a column.
• Randomly select four numbers in the range 0 - 9. To do this you could
• Turn over 2 dominoes, 2 numbers on each end gives four numbers
• Use the last four digits of your telephone number
• Use the last four digits of your National Insurance number
• Use the day and month of your birthday
• Use the four numbers to generate combinations by using each number in turn as in index into one of the columns. Each set of four random numbers thus selects a target audience, setting, theme and title. Record your combination.
• Repeat the previous step as many times as you wish (and keep recording the results). Note that this simple table can create 10,000 different combinations!
• When you have sufficient combinations, choose one (or more if you have time) to examine in greater detail. You might use them as generated or they might suggest something else to you.

Good luck!

When is Creativity not creative?

There have been (and there will continue to be) debates about what exactly is creativity and what it means to be creative. I remember having a discussion with some artists about being creative. Being artistic, they naturally thought of themselves as creative and were seen in a similar way by the general public. To be fair, their methods and output was, to say the least, alternative but I posed them the question “If you use the same method for each piece of art work you produce, are you being creative even if the output changes?”

There is no real answer to that question, or rather there are billions of answers depending on who you ask. The reason is frame of reference. Creativity depends on who and where you are and possibly what has gone before, it is relative. One man’s creativity is another’s drudgery. What might be seen as creative in one business will be viewed as ‘old hat’ in another

So I might see someone else’s ideas and methods as mundane because I have seen it, done it and bought the T shirt. Does this mean that I have to keep pushing the boundaries? Again there are many possible answers. If you simply require new product ideas and have a perfectly good ‘creative’ technique to use which does create new product ideas then keep using it. Pushing the boundaries would simply waste time and could be considered frivolous. If, however it was your job to create new idea generation methods for your business then you would almost be duty bound to experiment wouldn’t you?

Then we also have the issue of whether it is the method or result that is classed as creative. In this case I suggest that it is terminology that is the issue. In business, it is an alternate way of thinking that matters, to be used to gain a different perspective or insight or to generate new ideas.

So to answer the original question, creativity may not be creative if you are observing someone else or if you are using the same method and not generating different results. Other than that, creativity is generally creative, but I’m sure readers will have a different opinion!