Creativity - Getting It Right (Part 2)

There are a number of things that can be done to ensure that creative workshops go with a bang or at least a colourful fizz and meet the objectives so carefully set out for them. Here are a few more suggestions to build on those I gave you in a previous article.

Invite appreciative inquiry - the good news is this, you don't have to teach people how to be creative. They already are. All you need to do is facilitate the process that helps people access the part of themselves that is already creative. One way to do this is to help participants recall a time in their lives when creativity was flourishing for them. Known as "appreciative inquiry," you are simply allowing participants to wax lyrical about past successful creative ventures - no matter how small. These animated reflections will really get the creative juices flowing.

Don't think, do! - brainstorming sessions, are "head sessions," requiring a significant amount of thinking. But that is not the only way to get at good ideas. In fact, one of the best ways to quicken the appearance of good ideas is to "not think." Mozart used to exercise before sitting down to compose, the holder of the most patents ever liked to swim underwater before he invented and Socrates used to take his students for a walk. Somehow, these seemingly mindless excursions free up brainpower. The best and fastest way to accomplish this is with hands-on, interactive problem-solving activities that have high relevance to the brainstorming challenge or group dynamic.

Tell stories - story telling is a great way to help people get insights and make creative connections. That's why great teachers, since the beginning of time, have used parables to make their point. The stories we recommend you tell are what we call "teaching" stories - that is, intriguing stories with a moral. Or, they may be business-related stories concerning best practice or interesting case studies relevant to the brainstorm topic. It can be useful to intersperse these stories throughout your session, especially after participants have been working hard and need a breather.

Invite humour and playfulness - the right use of humour is a great way to help people tap into their right brains. Indeed, "haha" and "aha" are closely related. Both are the result of a surprise or discontinuity. You laugh when your expectations are confronted in a delightful way. Please note, however, that your use of humour must not be demeaning to anyone in the room. Freud explained that every joke has a victim and is used by the teller to gain advantage over the victim, that is, it's used to affirm power. And we know that when we're getting into the realm of power and the yielding of power, we are using our left-brains. Even more important than "joke telling" is a free flowing sense of playfulness. Everyone likes to play. The more you can achieve the goals of your session by interjecting playfulness into the process, the better.

Creativity - Getting it Right

For the past 6 years, I have been working with a range of organisations who have identified the need to raise the bar for innovation and creative thinking. One thing that's become very clear to me is that as many as 95% of all the people who end up in my workshop sessions are predominantly left-brained. They want to "get out of the box," but first they want to define the box, measure the box, compare it to other boxes, and/or send the box upstairs to make sure that everyone signs off on the collective vision of non-boxiness.

There are a number of things that can be done to ensure that creative workshops go with a bang or at least a colourful fizz and meet the objectives so carefully set out for them. Here are just a few, I'll slip a few more into later articles.

Establish credibility - if you do not already know the participants in your workshop then get some biographical material to participants before the session begins. Include anything that will help people understand that you have the experience and expertise to be a valuable resource. If this is not possible, introduce yourself early in the session and describe your qualifications. You must reassure participants that you just didn't walk off the street with a magic marker in your hand. Doubt kills creativity. Do everything possible to remove doubt from the room.

Clarify outcomes and address expectations - if you are going to take people on a creative journey, it's a good idea to start with the big picture. Even though you know that "the map is not the territory", participants will need confirmation they are not participating in a big improvisation session. People are just not ready for the "I'll play it first and tell you what it is later," approach. They need a clear picture of the day. Otherwise, they will be too uncomfortable to let go. Simply and clearly describe the process and agenda for your session, as well as the deliverables they can expect.

Establish ground rules - if you want to break new ground in a creative thinking session, you will need to establish clear ground rules first. Participants need to know what game they are playing - which behaviours are acceptable and which are not. You are, in effect, establishing an ideal "culture of innovation" in the room - the kind of mood that will be conducive to the appearance of new ideas. Rather than telling people what these ground rules should be, your task is to facilitate the process by which participants identify the ground rules they want to live by. These ground rules help create the safety required for the "shy" right brain to make its appearance. They also secure everyone's permission for you to play your facilitator role - an assumed ground rule that will need to be articulated - especially since there are likely to be a number of participants who do not like giving up control to someone who they've never met before or someone they have some reservations about.

Break the ice - most people who end up in your creative workshop will probably not be in a creative mindset when they enter the room. On the contrary, they are likely to be hurried, multi-tasking, overloaded with information, overwhelmed with tasks, and/or feeling underappreciated. One way or another they are likely to be dwelling in the logical, linear, left side of their brain. What they need is some kind of transition - a bridge from the world of "human doings" to the world of "human beings." A well-facilitated icebreaker is the best way to do this.