Wednesday, July 01, 2009

Removing blocks to Creativity

As if dealing with emotional and perceptual blocks isn't enough, we also need to overcome our cultural conditioning. Cultural blocks are created by attitudes in society and among our peers which have the effect of inhibiting creative thinking. Sometimes these cultural blocks are so much a part of our upbringing that we're practically blind to them.

Here are some of the most common cultural blocks:

"We must be logical about this"
Why is this so? You might need to specify your desired outcome but not the journey. Once in a awhile you might like to ban logic altogether and see what happens. Remember these three things:
  • Logic can solve problems, but creativity often requires a leap of the imagination
  • Creative ideas often don't make any sense at first
  • Just because an idea is illogical doesn't mean its 'bad'
Role stereotyping
Our inherently conservative culture sees to it that most of us grow up with the idea that creativity is not possible without advanced training, higher education, superior intelligence, etc. This is simply nonsense. Also creativity is often seen as the preserve of a particular function within a business.

"Playing is for kids"
Being creative means being willing and able to play with ideas, materials, and even your most basic ideas about reality. Creative thinking is a form of mental play. Relax your grown-up inhibitions and let your mind out to play more often. Also, many of us already work with prototypes which is simply a slightly restricted form of play.

"Fantasy and daydreams are useless distractions"
Early in life, we're taught that fantasy and daydreaming are unproductive and even dangerous to our health. Creative thinking requires that you be able to daydream and fantasize without feeling guilty for doing so. Strive to recognize and get past your conditioning. Those daydreams can also be useful as part of a futures programme where we predict the future many years in advance.

"Though shalt try nothing new"
This is the great unspoken commandment that directs many of our thoughts and actions. While change for its own sake is rarely creative, creativity requires openness to challenging the status quo. Ideas such as the wheel and space travel must have been as a result of trying something new. Just think what you could do!

"Creativity is too abstract"
Well yes and no. The techniques that we use to help generate and explore ideas can be a little strange but we can calibrate creative processes so we know how much return we get for a particular amount of time and effort. Those who like to plan and budget have no excuse for not joining in.

"I don't like to ask questions or criticise"
In many cultures it is not natural to openly question or comment on the ideas of others or examine the status quo. This can prevent progress so you can try and gently nudge people and show that questioning is ok but also we can use techniques with the 'challenging' built in or which concentrate on building ideas. There is no excuse not to embrace creative thinking.

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Outcome Driven Innovation - problem or not?

Outcome Driven Innovation (ODI) clearly works for a number of organisations (usually larger organisations) and not for others. Why could this be? Personally I also have a number of issues with the methodology but this is not an attempt to pull ODI apart, rather to simply point out some issues and let others make up their minds as to what is best for them.

Innovation is, or should be, a hugely flexible process that works within a comprehensive framework but which is not overly specified. It may be further complicated by the (necessary) requirement that all areas of a business (and hence all of the people) become involved. If this does not happen then all we have is a glorified R&D department.

The specification of ODI seems to me at first sight to be very prescriptive but that is just an opinion. There is however, a danger that any business embracing ODI which has not fully bought into the philosophy of Innovation, could still be governed by left brained groupthink and could embark on a process of specifying and documenting everything. This could result in a) no action at all and the incorrect conclusion that Innovation does not work b) a rigid process that is in fact more akin to something resulting from Business Process Reengineering (BPR).

Another possible issue is the fact that one of the initial steps if to formulate an Innovation strategy when in fact the process will normally help create the strategy. Also, capturing customer inputs and looking at the broader marketplace will also help formulate the Innovation strategy.

From the outside, ODI looks like a tool driven methodology where you simply turn the handle on the sausage machine and things pop out. This is not Innovation, it is more like Taylor's scientific management. And another claim is that it has been developed over time, not a crime in itself but where is the (double loop) learning that means the methodology itself can be updated and grow as needs (and the market) change.

Finally, everything appears Marketing driven which is why many of us embraced Innovation in the first place. As they say, the devil is in the detail so readers should research ODI and then draw their own conclusions. After all, you should use the methodology/framework that is right for you, not just use something that is popular or recommended by a friend because it uses the word 'Innovation'.

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Monday, June 01, 2009

Creative Leadership For Tough Times

Creative leaders can see the missing pieces of the puzzle Surely we just need good strong Leadership in tough times not 'airy fairy' Creative Leadership? If you share this view then I think we have our wires crossed already. Let me explain.

In the current economic climate we do need strong (or should I say bold) Leaders but traditional Leaders (and I include those who are up to date with such concepts as transformational and situational leadership here) often have a Leadership toolbox that is comprehensive but perhaps identical to those carried around by other Leaders. So if we all have the same tools and we all operate in the same marketplace then we still have a stalemate.

And now for the Creativity bit. I am not suggesting that our bold Leaders walk around with an armful of creative techniques and nothing else, just that they should supplement their Leadership toolbox with a selection of techniques that provide alternative ways of analysing and solving problems, decision making, planning and communicating. Leaders then have a larger repertoire of business tools at their disposal from which they can select the most appropriate and most effective.

But why are Creative techniques particularly good for the tough economic climate that we are now faced with? In short they can:
  • Provide competitive advantage as their usage often relies on tacit knowledge
  • Are more likely to unearth solutions that no one else has thought of or tried
  • Allow Leaders more time to focus on real business issues - these techniques can save time
  • Permit greater buy in from colleagues and employees and thus less resistance to change
  • Build intrinsic motivation amongst the workforce

Even in highly regulated industries such as Financial Services, Leaders can enhance their capability in this way. Remember it is only the outputs of your processes that may be regulated. Internally there are usually alternative ways of doing things!

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The Magic Of Metaphor

Metaphor:life is a rollercoasterFirst of all what is a metaphor? Here I use the term metaphor and simile interchangeably but technically a simile is simply saying that one thing is like something else and a metaphor is saying that one thing is something else. A simile is thus a metaphor but a metaphor is not necessarily a simile. Enough of the terminology! Roll your mouse over the picture to the right to find a metaphor.

Sometimes exaggeration or humour might be involved to help make the point. Many men might use the metaphor of their mother-in-law being a dragon. They are not saying that she literally breathes fire and flies but that she might be a little fierce and protective of her daughter (or dominating her husband!!). You get the point.

Metaphor can help us all in a number of ways. For instance I am a very visual person so when people insist on describing things to me using just words I have to try very hard to take in all of the information. If, however, someone says that the situation is like say, finding a needle in a haystack then I comprehend the situation quite quickly i.e. I know the amount of effort required and the likely outcome. To reach a wider audience you might need to try using metaphors that rely on different language for those people who respond to audio or kinesthetic stimuli.

I often use a particular type of metaphor when explaining the usefulness of using creative or alternative techniques to examine a problem situation. I'm sure that many readers will have experienced the horrors of hunting for a house or flat. You have a look at the particulars and one person focuses on the kitchen, another on the garden and another on the bedrooms or garage. All of these individuals are seeing the same situation but from different viewpoints. So just like viewing a property we can examine other scenarios (physical or otherwise) from different perspectives. One or more of these might even provide a solution (in the case of a problem) or suggest a course of action.

Keen followers of Agatha Christie's fictional character Miss Marple will be familiar with her technique of mapping happenings of the wider world with things she could understand that occurred in her own village of St Mary Mead. So already we have a list of things that metaphors can help us with:
  • Giving explanations to those unfamiliar with a concept
  • Examining problem situations from an alternative perspective
  • Reframing situations
  • Communicating concepts to a wider audience
  • Learning or making sense of a concept that we are not currently familiar with

Another interesting use for metaphor is within stories and for use as a more sophisticated business tool but that is an article all of its own. But how about the application of metaphor, will it work for everyone and will it work everywhere?

We can use metaphor directly in:

  • Business
  • Politics
  • Creative Industries and the media
  • Any other areas that rely on human interaction

Metaphor works best when individuals can 'connect' easily with metaphors i.e. they are used to metaphor or storytelling and their lives are not littered with distractions. In developed countries we are buried underneath mountains of gadgets which we either rely on to automate our lives or which we take great delight in exploring in detail - we either want it to work or we want to read the instructions in detail. We do not wish to know that our new MP3 player is like a pepperoni pizza (or perhaps a more appropriate metaphor). I am speaking generally here, those who are emotionally intelligent will be using metaphor regularly.

In developing countries there is less technology and less complexity in life generally (but life is often very hard) and so people are often closer to their emotions. Storytelling and metaphors will work well here and have a very powerful effect. Rather like the argument that I put forward in a previous article regarding creativity in developed and developing countries, education also plays a part. So once again, who is best placed to take advantage of techniques such as this? Developed countries have a head start in the race to develop and are thus nearer the finishing line, but developing countries have the potential to be the faster runners!!!

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Sunday, May 31, 2009

Creativity To Go - instant help with Creativity and Innovation issues

This is just a quick note about Creativity To Go, a new FREE service that is intended to help people with issues that they may have surrounding using Creativity as a business tool or when things do not go as intended with innovation projects. If you have any Leadership or Management problems in these areas then we can deal with those too!

We cannot get into long diatribes for each issue but if they can be succintly put into an email or tweet then please send them in and we will endeavour to respond within an hour or two in an equally concise manner. You can find contact details here or you can use our enquiry form. You can also contact Derek Cheshire on twitter (@derekcheshire).

We look forward to hearing from you.

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Saturday, May 09, 2009

Innovation - There's a head in my shed, starting out from scratch

Many fledgling businesses do actually start out from a shed at the bottom of the garden. Hewlett Packard started this way and many other technological breakthroughs too (remember Marconi?). The shed is, however, just a metaphor for that inappropriate and often cluttered place that we find ourselves in with our good ideas. We are simply a 'head in a shed'!

It does not matter whether you are a lone inventor who really does have a shed at the bottom of their garden or you work for a large organisation and your 'shed' is your office or laboratory. You have the same problems either way.

Take a look at this news article. The student in question is obviously talented but so what? She has very neatly illustrated our problem but in reverse. We are so familiar with the appearance of our shed, its contents and immediate surroundings that we see nothing else. We need a fresh perspective, new glasses (ditch the rose tinted ones) and a new mode of thinking. To go back to the first article in this newsletter and the concept of putting animals in places where they are not supposed to go - we have an elephant in our shed with us. It is an idea that has barged in and seems too big and well formed to be moved. We must replace it with a giraffe, something more suited to the marketplace, but how? And why a giraffe?

To continue using metaphors for a moment, the elephant is the easy option. Our minds often conjure up ideas that our egos build up into great and unbeatable business opportunities. These then take over our lives and we try to turn them into reality at all costs. These have barged into our lives like a stampeding elephant into our shed. In the world of inventors, elephants are ten a penny and we find them difficult to shake off. The giraffe is altogether more elegant and not so common, but how do we replace one by the other?

Here is a list of questions that we might ask ourselves:
  1. Do I really want to do this or am I just running away from something else?
  2. Is my idea well formed?
  3. Is this really different, does it solve a problem, has it been done before?
  4. Do I know what I am talking about, do others get it when I tell them about my idea(s)?
  5. Do I really understand the target environment/marketplace?
  6. Do I wish to retain ownership, am I willing to share?
  7. Have I sought views/opinions from others?
  8. How will I put this into practice/production?
  9. Have I got the right skills?
  10. Have I/we got the right environment?

Unlike the case of the disappearing car in the news article, you should now be more aware of what you are trying to do. Your grey elephant should have turned into something more elegant and more well formed. Why not take a look at some past newsletters and use some creative techniques to help investigate your new ideas in case you have missed something?

Good luck with your transformation!

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Creative thoughts from under African skies

During my recent visit to Malawi I had the pleasure of speaking at seminars and workshops to a large number of charming and very interesting people. My aim was to try and provide some of the latest thinking on Creativity and Innovation in an organisational context and to try and encourage the people I met to use alternative modes of thinking.

Keen readers will remember the 'How do you get a giraffe into a fridge' test that I used last year (click on the giraffe to the right to revisit it). I used this on my audiences and was pleasantly surprised to find that answers were richer and more numerous than elsewhere. It is not right to say that Managers get the answers wrong but their responses are generally poorer than young children. My African friends did very well indeed so I began to wonder why this was. Was it a coincidence?

One of the central themes of Creativity is play, and education systems are designed to help us pass exams and be less creative. We then have to undergo a degree of 'unlearning' to be playful in the workplace. Keen followers of TED (see www.TED.com) may be familiar with the thoughts of Sir Ken Robinson. Click here to view his moving and entertaining talk, but only if you have 20 minutes to spare!

In our so called developed countries we have extensive educational systems, whilst in developing countries the systems are often constrained to keeping young people in school and teaching basic skills well. Yet there has been an explosion in many developing nations within Africa, Asia, Latin America and the Middle East. In Cuba, trade embargoes have meant that motor engineers have created substitute brake fluid from shampoo and sugar whilst I have seen young boys in Africa change tractor tyres with only a few levers, a hand pump and some soapy water (no mean feat).

This natural creativity is present in us all when we are born but seems to remain only in countries where there are 'light touch' education systems. You may be thinking 'what about the effect of culture?' This is where things get a little complicated. In young people the two main drivers of Creativity are:
  1. An education system that does not stifle or judge
  2. A culture that allows play and lets 'children be children'

As we grow up, different factors come into play which are mainly cultural. This often means that:
  • In developed countries we are keen to be creative and innovative but we have lost the tools to work this way - our solution is to undertake even more training
  • In developing countries, people have the natural tools but social pressures sometimes inhibit the ability to be critical or express radical thoughts openly - some people are just too polite. The solution may just be to overcome these personal barriers
In my view, the developing countries could have the edge but it will be a close run thing. The situation is obviously more complicated but these points should give us all food for thought. Any feedback is always welcome!

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Tuesday, April 28, 2009

Creativity and reggae

I recently had the good fortune to work with the British Council in Malawi promoting Creativity and Innovation. During the Taxi ride from Chileka airport into Blantyre we met a taxi driver who had a large stash of music and who was generous in playing it. The Black Missionaries are from Blantyre, Malawi and are currently the hottest act in the country. Play the video to experience their own brand of African reggae. I hope you enjoy the music as much as I did.

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Tuesday, March 24, 2009

Creativity - Using Your Right Brain


Have you ever wondered why the answer to the problem that you have been trying to solve pops into your mind just as you are driving home, taking a shower or waiting in the queue at your local takeaway? The answer is that your Creative Right Brain has been thoughtfully working on the problem for you. So how does this happen when you have been wrestling with a particular conundrum all day?


Although not completely physiologically correct there is a useful Left Brain/Right Brain model that we can use. The left side of our brains is logical, linear and provides filtering of ideas, so although it will provide solutions it also has a nasty habit of saying 'but it won't work', 'that is not a good idea' or 'the boss will not be happy'.


The right hand side of our brains is linked to creative behaviour and does not have these filters thus increasing the range of possibilities. The problem is, how on earth do we hand our problem to one and not the other? Simple, we play tricks on it!

If you have something really tricky to work on then you should get stuck in at the start of the day (this trick works in a workshop environment too). Really get to grips with every facet of the problem, all of the bad bits, barriers or desirable outcomes. You are trying to mimic the situation where you work all day, drive home and experience the Eureka moment, except that we are trying to save you working all day and then going home late.

Back to the problem. Your logical Left Brain should really be getting stuck in so now is the time to hand over the problem. Go and get on with something else, distract the Left Brain and let the Right Brain do the work. This is what driving home or having a shower does when you have been working late. Distraction is important here, simply pretending to be busy or waiting will not work. The answer (or answers) to your problem will probably come to you at an unexpected or possibly inconvenient moment so remember to have a pen and paper handy at all times.

Good luck!

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Modelling innovation culture using social media


I have my own unique model of Innovation which helps with obtaining 'buy in' and best of all, it leads to a method of measuring the capacity to innovate which is a much more sensitive measure than waiting for KPIs to change. I had been puzzling for a while about how to model the spread of Innovation and the transfer of knowledge as well as other issues such as communication and trust. Little did I know that I had already considered this without really understanding.

Recently, I attended a talk by Dr Kelly Page of Cardiff University about New Media and Web 2.0. I became particularly excited by some of the concepts and analysis surrounding Social Media such as Twitter, Facebook, Flickr and YouTube.

In an (ideal) Innovation culture there is little or no hierarchy and knowledge flows at varying rates and often 'on demand'. There are groups of interest and depending on technology, trust relationships can also be built. Rather than humans adapting to technology (remember the first mobile phones, the birth of the Internet), technology is now being developed to match and mimic the behaviour of groups of people in a social environment.

Analysis of this behaviour is interesting. Looking at traffic on say Twitter, a group interested in a particular topic will have what looks like random connections. These are not random and are built upon interest, trust and knowledge amongst other things. Within Organisational Development we might say that these connections do not map onto an organisational structure chart but map onto informal advice, trust and communications networks.

So interactions within Social Media look like those in an ideal Innovation culture, and playing with this idea we can adapt our model for a range of situations. But these changes are incremental. We know that introducing certain technologies into society often changes society itself (electricity, telephone, motor car) so will introducing technologies such as Social Media actually lead to changes in society and in particular our businesses?

The answer is most definitely yes. By trying extreme versions of our new model we can safely say that hierarchies will die and that concepts such as vision and values will truly have shared ownership. Ultimately it will make our businesses more profitable as those working in them will be empowered and will all share responsibility for success. Those who cling onto the old hierarchies will find themselves bypassed in advice, trust and communications networks, they will be lonely. Watch this space for new developments (or should I say MySpace?).

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